Albums In My Collection
Upon first listen, one might think this current Norwegian band existed about 40 years ago, since their style is eerily reminiscent of a time in music when the sound of Genesis or Yes using a Mellotron, for example, inspired so many music lovers to jump on the Prog-Rock bandwagon. Along with the mighty Mellotron, the band also incorporates other vintage keyboard sounds (Hammond, electric piano, etc.), flute and sax, and heavy guitar reverb that tips a hat toward Pink Floyd atmospherics. Indeed, D’AccorD’s production brings to mind the olden days of analog recording equipment, and even the cover art on their albums looks retro.
The band is also not afraid of stretching its musical muscles when inspiration strikes, mixing some “normal” shorter tracks with a few extended pieces. Indeed, their second release, Helike, is comprised of only two tracks—”Helike, Part 1″ and “Helike, Part 2,” each surpassing the twenty-minute mark—which, combined, become one mega epic. But whether the songs are short or extended, no one can accuse the band of not being daring and even adventurous, as each track shows their capabilities throughout various styles and atmospheres, some powerful, some mellow, and all of them well-performed, ambitious, and full of musical depth.
The band has developed a sound that reminds me of a Prog-Rock act such as Birth Control, Jethro Tull, or Genesis melding together with a Hard Rock troop such as Deep Purple, Bloodrock, or Uriah Heep. In many ways, D’AccorD is similar to other “retro-sounding-bands” like Siena Root, Presto Ballet, Black Bonzo, or Hypnos 69, successfully incorporating the classic sounds and production techniques of bands from the 60s & 70s, adding a touch of Stoner Rock, a bit of Psychedelic Rock, some Jazz-Rock, a whole lot of Heavy Prog, and whisking music lovers back to the time when Prog-Rock began.
Hell, when listening to any of the band’s releases, you can almost smell the weed burning in the background…