5 out of 5 Stars!
From Italy, The Watch creates a nearly perfect replica of the classic Genesis (Peter Gabriel-era) sound on each of its albums. No other band in the world, in the galaxy, in the entire universe, comes as close. Indeed, with vocalist Simone Rosetti eerily replicating Gabriel in timbre and delivery (apart from a slight Italian accent), and the musicians duplicating the same playing styles and tones as Banks, Rutherford, Hackett, and Collins, it’s as if the classic Genesis line-up had hibernated since 1974 and, reanimated and energized, reappeared in the new century completely intact to continue where they left off, only with modern studio production techniques to aid them.
To me, Vacuum, The Watch’s second collection of tunes (and basically an extension of the band’s 2001 debut Ghost) is far better than anything Genesis ever released during the post-Gabriel years, and devotees of albums such as Foxtrot, Nursery Cryme, and Selling England by the Pound will certainly enjoy The Watch, especially after hearing this album—which I played repeatedly for weeks and weeks after purchasing it a decade ago, and still yearn to hear on a regular basis.
With compositions such as “Damage Mode,” “Shining Bald Heads,” “Out of the Land,” “Wonderland,” and the fantastic “The Vacuum,” this album is nothing short of a 5-Star masterpiece, with all of the band’s other releases (including the lone album from a “prequel band” featuring Rosetti called The Night Watch) nearly as inventive and stunning.