3.5 out of 5 Stars!
Years ago, when I first discovered groups such as Nightwish, After Forever, and Within Temptation—female-fronted Symphonic/Gothic Metal groups—I also happily stumbled upon Leaves’ Eyes from Germany.
Singer Liv Kristine has a magnificent range and style of delivery. More rock-oriented as opposed to operatic in overall nature, her voice nevertheless soars above the often-grand and occasionally folksy musical arrangements like a songbird in flight. My only pet peeve about this group—the same pet peeve I have with Epica and several other bands in this genre—and the reason I don’t typically rate the band’s releases higher on my scale, is the cheesy, jarring, and annoying-as-hell insertion of undecipherable “growling/beast” male vocals the band continues to employ, which basically destroy much of the beauty that is otherwise to be found on each album.
With that being said, Njord, the band’s third full-length release, still has its moments of greatness, such as on the grand and majestic opening title track, as well as the heavily symphonic compositions “Take the Devil in Me,” “Northbound,” “Emerald Island,” and the lengthy, multi-part “Froya’s Theme.” The band’s lush and dramatic rendition of Simon & Garfunkel’s “Scarborough Fair” is also quite special. And despite the silly “beast vocal” garbage that pops up on too many tracks, the album can thankfully be savored without too much difficulty.
But a final note to all Symphonic Metal groups: Please, PLEASE, if you truly need to use these male “growling/beast” vocals to satisfy some deep-seated craving of which I am unaware, I beg of you to do so sparingly and give us fans of actual music a break from this unnecessary and insufferable noise. (And my apologies to anyone who disagrees with me on this point, but that’s just my opinion.)