3.5 out of 5 Stars!
From Philadelphia, Pennsylvania, the glamming, slamming Britny Fox had much in common with the band Cinderella…not only regarding its city of origin, but some of its personnel, its overall rocking sound and big-haired image, and (as it turns out) its ultimate “level of fame”—although Cinderella undoubtedly had a tad more of the latter (and a head start) thanks to becoming “MTV darlings” upon the release of its debut album several years earlier.
Regardless, even though the bands are so darned similar, with the raspy vocals, the beefy guitars, the driving rhythms, and the infectious choruses, I preferred Britny Fox overall, finding the band’s first two albums more consistent than those by Cinderella (which noticeably altered its style between its debut and sophomore albums).
Anyway, with catchy boot-stompers such as “Long Way to Love,” “In America,” “Girlschool,” “Kick ‘n’ Fight,” “Hold On,” “Rock Revolution,” and a rollicking version of Slade’s “Gudbuy T’ Jane,” Britny Fox delivered some often-engaging material. “Dizzy” Dean Davidson’s lead vocals seem a cross between Cinderella’s Tom Keifer and Nazareth’s Dan McCafferty, therefore it didn’t seem particularly odd that the music also comes off as a blending of these two bands, with perhaps extra inspiration from groups such as Kiss, Quiet Riot, W.A.S.P., Black ‘n’ Blue, Tesla, and several other acts from the era.
Whatever the case, Britny Fox’s self-titled debut album proved especially addictive to fans of the “hair metal” genre during the fun yet silly, sleazy yet glittering, and mascara-lined and Aqua Net-infested ’80s, and truth be told, the music on this platter holds up rather well even all these decades later.