3.5 out of 5 Stars!
Although Britain’s Barclay James Harvest was never my favorite Progressive Rock group due to the band’s overall laid-back and less-intricate nature, I did nevertheless enjoy many of its albums, and Everyone Is Everybody Else, the group’s fifth studio effort, ranks among my favorites.
The majority of tracks on this 1974 release—such as the catchy and beautiful “Child of the Universe,” the countrified and harmonious “Poor Boy Blues,” the Mellotron-lush “For No One,” the electric-piano-enhanced “Negative Earth,” and the more dramatic “The Great 1974 Mining Disaster”—are generally mellow and moody, never in-your-face with twiddly bits or unnecessary passages. Additionally, even on the more upbeat “Crazy City,” the overall song arrangements are often elegant yet sparse, with the instruments never trampling over the vocal melodies or creating too much of a jarring distraction. Each song has plenty of breathing space, lending a lighter atmosphere to the proceedings.
Moreover, for Prog-Rock fans unfamiliar with Barclay James Harvest, don’t expect much in the way of a style comparable to various groups such as Yes, Genesis, Gentle Giant, ELP, etc., but more of a folksier, semi-Prog style played by bands such as Strawbs or The Moody Blues with perhaps a bit of Procol Harum, Wally, Supertramp, and even America and Crosby, Stills, & Nash thrown in. No, purchasing any BJH album is not with the anticipation of basking in lightning-fast guitar, Hammond, or Moog solos, or innovative time signature shifts, or jaw-dropping multi-part Prog-Rock epics with bizarre lyrics, but only to provide your mind with dreamy and undemanding melodies to savor at the end of a long, exhausting day.