4 out of 5 Stars!
Gomorrha was yet another German group that kept getting better and better with each new album, yet sadly disappeared from the music scene way too soon for my liking.
Of the three albums Gomorrha produced during its short duration in the early ’70s, I Turned to See Whose Voice It Was—the final collection—is probably my favorite. The ten-minute opener, “Dance on a Volcano,” immediately showcases the band’s strengths in a rather funky Heavy Prog/Heavy Psych style, and with the fuzz-guitar, and Hammond-drenched arrangement, occasionally reminds me of Gomorrha’s fellow countrymen Birth Control, Night Sun, Lucifer’s Friend, or early Eloy, as well as non-German acts such as Deep Purple, Uriah Heep, and Bloodrock. For the most part, this style and appropriate comparisons continue through the remaining five tracks, being especially captivating and effective on “Dead Life,” “I Try To Change This World,” and the oddly named “Tititsh Child.” Only on the title track does the band break from the norm with acoustic guitar driving the proceedings, along with extra percussion instruments, to create a mesmerizing Psychedelic atmosphere.
Overall, I Turned to See Whose Voice It Was is where the band seemed to have discovered the perfect balance of genres to encompass its overall sound, showing the group at its creative peak, which is why it’s such a royal shame Gomorrha disbanded so soon after this collection came out.
(And have I mentioned recently how much I loved Germany’s Brain Records label?)