4 out of 5 Stars!
Is there anyone besides me who remembers this group? When hunting through my album collection not long ago, I yanked out the two platters by an extremely obscure band from Chi-town named Puzzle.
I hadn’t heard these albums for decades, yet the moment I reviewed the song titles listed on the back covers, snippets of “tune memories” immediately raced through my mind and I itched to revisit these collections again.
Despite the band including a horn section, a rarity in and of itself, Puzzle truly offered nothing revolutionary in the Jazz-Rock/Jazz Fusion world. Indeed, the band sounded remarkably like Chicago, even featuring a lead singer (the band’s drummer) with a voice similar to Robert Lamm’s. Although since Puzzle did not include a trombonist, but two trumpeters and a sax player, the brass section is thinner—not as round or as full without the trombone—setting it apart from Chicago’s signature brass sound. Plus, groups such as Chicago, Ides of March, Blood, Sweat & Tears, and Chase had already been around for several years before Puzzle popped onto the scene, so again, the band offered nothing truly unique.
Still, the band had potential, and on its debut album, produced catchy, well-arranged material featuring wailing brass such as “On With the Show,” “You Make Me Happy,” “It’s Not the Last Time,” “Brand New World,” “Lady,” “Suite Delirium,” and the intriguing instrumental “The Grosso.”
Personally, I prefer Puzzle’s self-titled debut since the sophomore effort (boringly christened The Second Album) had a lesser emphasis on the brass instruments, yet Jazz-Rock lovers (especially those who enjoyed Chicago’s earliest albums and songs in the style of “Does Anybody Really Know What Time It Is,” “Saturday in the Park,” or “Beginnings”) will likely find some satisfying material on either platter (both of which appeared, oddly enough, on the Motown label).